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The purpose of this article friv twofold: first, to correct and respond to the piece published in the December issue of The Amherst Student on the Gamergate controversy and second, to dispel notions of the movement as a positive force for any greater good. Bluntly, the Gamergate movement is not actually about ethics in games journalism. kids play hello kitty games Because the movement is still unfolding, it is difficult to tell an accurate story of both what has occurred and what is occurring; nevertheless, if The Student’s retraction of the piece tells us anything, it is that the previously reported “facts” were nothing of the sort. The purpose of this piece is not to attack the author of the previous article, but serious interrogation of his claims is in no way off limits — we do not consider the author’s brushing aside of the death threats, harassment best mobile games subway surfers and pervasive misogyny associated with Gamergate to be acceptable. Below its veneer of ethical concerns, the Gamergate movement is a disorganized and deeply conservative campaign of misogynistic harassment, a panicked lashing out by a predominantly straight white male subset of video game culture toward an industry that is leaving them behind. Though a comprehensive historical reconstruction and factual analysis of Gamergate would fill several volumes, there are key facts which must be made clear. Foremost is the origin of the hashtag: best internet games happy wheels the first use of #GamerGate was by actor Adam Baldwin, a staunch conservative with a corresponding history of Twitter harassment. The hashtag was in reference to a pair of (now removed) YouTube videos analyzing the personal life of Zoe Quinn, a little-known indie game developer whose alleged relationships with several members of the gaming press were detailed in an angry blog screed by an ex-boyfriend. From day one, tweet one, Gamergate has been inextricable from sexism and problematic conservatism.

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